latest news: what remains and is to come residency with guests and performance Het Veem Theater Amsterdam The Netherlands 31 jan-5th feb 2012
open to public sat 4th feb 8.30pm/sun 5th feb 4pm
Etsbeest Rotterdamse Schouwburg, Rotterdam, The Netherlands 6th/7th november 2011 symposium/performance www.theater04.nl
MAC, Museum for Contemporary Art Grand-Hornu Brussels 19th/20th december 2011
events:
Residency at Nightingale Theatre Brighton
15-19 August 2011 what remains and is to come
what remains and is to come is a collaborative dialogue between
Katrina Brown and Rosanna Irvine . Taking a cross-disciplinary
approach to choreography, we are working with the materiality
of charcoal, paper, body and digital technologies - and with the
processes that are instigated through an examination of the
properties of these materials.
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Snail Gallop And Other Scores Katrina Brown and Malgven Gerbes in residency at
The Gallery, Dartington Hall, Devon, England.
21st - 26th June 2010
A dialogue of moving - drawing - thinking - writing - scoring -
An exchange of perspectives on drawing as part of a choreographic
practice.
The drawing is like a visual proposal of the creative choreographic
mind. The drawing contains everything the performer brings and
knows; a past and the imminent future contained in the drawing.
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ETS BEEST
a performance event for/with 2-4 year olds Katrina Brown - movement/drawing
Han Buhrs- voice/sound
ETS-BEEST is a participatory event with movement, drawing
and voice. Around and upon a 5m by 3m sheet of paper, the
event
is acting as a field of action in which the boundaries
between spectator-performer can blur.
The event is proposing a 'doing together', from which emerges
an art work of black traces on the flat paper surface.
ETSBEEST
is touring Europe in schools, libraries, galleries,
theatres and community centres including;
2011 La Rochelle, Lausanne, Rotterdam
2010 Brussels, Luxembourg, Grenoble
2009 Nantes, Salzburg, Helsinki, Charleroi, Brussels, Hamm
2008 Paris, Amsterdam
___________________________________________ Time has No Colour
A research project 2008/2009/ongoing
with son Juno Brown and dramaturge Igor Dobricic.
Residencies at the Choreographic Centre La Gomera and
Het Veem Theater, Amsterdam colourbookand JUKA warriors
ANDrecently at
Brighton Fringe Festival , Queens Park Salon 17th May 2011 "emerging as an artwork from the foam of the everyday"
I have always been interested in what is contained in our
doing together; the bedtime reading, the playfight, the talking, the drawing together. I am curious in the moments
(in)equality which seem to ignore mother/son, adult/child,
teacher/student divides
and certain notions of knowledge.
I wanted to look closer at our 'doing together' and to see how
that might inform a choreographic practice.
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scratching-the-surface The Gallery, Dartington, Devon, UK 24-27 March 2009 performance/installation of frames and flat surfaces in
drawing sound movement
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Still images of Works
Movement and Drawing
Body Surface Trace Frame
collaboration with Nora Heilmann
four parts
turning body inside out
I love the sea
aimar urban explorers festival 2007
I
swim every day I swim every day
like a prayer like a prayer like a prayer
Residency I have a long relationship with the choreographic
centre, L'Animal a l'Esquena, in Celra, Catalonia,
Spain, who supported me during my MA with
the website project Archive of Traces and in 2007
in a collaboration with visual artist Alexis Blake.
An audience were invited to animate an installed
sp
ace of folded, hanging and and projected pages.
In this period I also worked with the children of the
EMDC school in Celra.